One of Stylist's best new books for April. 'A book about love, identity, acceptance and the freedom to write, paint, compose and wear corduroy breeches with gaiters. To swear, kiss, publish and be damned. It is vastly entertaining and often moving ... There isn't a page without an entertaining vignette' The Times. The extraordinary story of how a singular group of women in a pivotal time and place - Paris, Between the Wars - fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own - forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves their stories into those of the four central women to create a vivid moving tapestry of life among the Modernists in pre-War Paris.

Alice Keppel was a manipulative woman, whose relationship with Edward VII placed her at the centre of high society. Her daughter, Violet, was fascinated with her mother's power. Yet when she fell in love with Vita Sackville-West, she threatened to break all the moral rules of her mothers world.

Natalie Barney,'the wild girl of Cincinnati', and Romaine Brooks were both rich, American and grandly lesbian. They met in Paris in 1915 and their tempestuous affair lasted more than fifty years. By the end of their lives together, Natalie and Romaine had entertained, slept with, fallen in love with, tutored or tortured a range of figures including Gertrude Stein, Colette, Edith Sitwell, Gabriele d'Annunzio and the ballerina Ida Rubinstein. But among this tumult there was an enduring and loving relationship that supported a liberating spirit of culture, style and candour. In this vivid double biography, Souhami writes with complexity and skill, drawing the reader into a different world and capturing for ever her subjects' extraordinary lives.

Hannah Gluckstein (who called herself Gluck; 1895-1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history. Gluck's paintings comprise a full range of artistic genres-still life, landscape, portraiture-as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter. Published in association with the Brighton Museum & Art Gallery and London College of Fashion Exhibition Schedule: Brighton Museum & Art Gallery, England (11/18/17-03/11/18)

Radclyffe Hall was born in 1880 in Bournemouth in a house inappropriately named 'Sunny Lawn'. Her mother drank gin in an attempt to terminate the pregnancy, and her father fled the family home. At the mercy of a violent mother and sexually abusive stepfather, her life changed when at the age of eighteen she inherited her father's estate of GBP100,000. She was free to travel, pursue women and write - most notably The Well of Loneliness, her famous novel about 'congenital inverts', which was declared 'inherently obscene' by the Home Secretary and banned. In this brilliantly written, witty and satirical biography Diana Souhami brings a fresh and irreverent eye to the life of this intriguing and troubled woman.

Murder at Wrotham Hill takes the killing in October 1946 of Dagmar Petrzywalski as the catalyst for a compelling and unique meditation on murder and fate. Dagmar, a gentle, eccentric spinster, was the embodiment of Austerity Britain's prudence and thrift. Her murderer Harold Hagger's litany of petty crimes, abandoned wives, sloughed-off identities and desertion was its opposite. Featuring England's first celebrity policeman, Fabian of the Yard, the celebrated forensic scientist, Keith Simpson, and history's most famous and dedicated hangman, Albert Pierrepoint, this is a gripping and deeply moving book.

A powerful novel of love between women, THE WELL OF LONELINESS brought about the most famous legal trial for obscenity in the history of British law. Banned on publication in 1928, it then went on to become a classic bestseller. 'The archetypal lesbian novel' - TIMES LITERARY SUPPLEMENT 'The bible of lesbianism' - THE TIMES 'One of the first and most influential contributions of gay and lesbian literature' - NEW STATESMAN 'What do I care for the world's opinion? What do I care for anything but you!' Stephen Gordon (named by a father desperate for a son) is not like other girls: she hunts, she fences, she reads books, wears trousers and longs to cut her hair. As she grows up amidst the stifling grandeur of Morton Hall, the locals begin to draw away from her, aware of some indefinable thing that sets her apart. And when Stephen Gordon reaches maturity, she falls passionately in love with another woman. Introduced by Diana Souhami, author of the acclaimed biography The Trials of Radclyffe Hall

Alice Keppel, the married lover of Queen Victoria's eldest son and great-grandmother to Camilla Parker-Bowles, was a key figure in Edwardian society. Hers was the acceptable face of adultery. Discretion was her hallmark. It was her art to be the king's mistress and yet to laud the Royal Family and the institution of marriage. Formidable and manipulative, her attentions to the king brought her wealth, power, and status. Her daughter Violet Trefusis had a long tempestuous affair with the author and aristocrat Vita Sackville-West, during which Vita left her husband and two sons to travel abroad with Violet. It was a liaison that threatened the fabric of Violet's social world, and her passion and recalcitrance in pursuit of it pitted her against her mother and society. From memoirs, diaries, and letters, Diana Souhami portrays this fascinating and intense mother/daughter relationship. Her story of these women, their lovers, and their lovers' mothers, highlights Edwardian - and contemporary - duplicity and double standards and goes to the heart of questions about sexual freedoms.

Edith Cavell was born on 4th December 1865, daughter of the vicar of Swardeston in Norfolk, and shot in Brussels on 12th October 1915 by the Germans for sheltering British and French soldiers and helping them escape over the Belgian border. Following a traditional village childhood in 19th-century England, Edith worked as a governess in the UK and abroad, before training as a nurse in London in 1895. To Edith, nursing was a duty, a vocation, but above all a service. By 1907, she had travelled most of Europe and become matron of her own hospital in Belgium, where, under her leadership, a ramshackle hospital with few staff and little organization became a model nursing school. When war broke out, Edith helped soldiers to escape the war by giving them jobs in her hospital, finding clothing and organizing safe passage into Holland. In all, she assisted over two hundred men. When her secret work was discovered, Edith was put on trial and sentenced to death by firing squad. She uttered only 130 words in her defence. A devout Christian, the evening before her death, she asked to be remembered as a nurse, not a hero or a martyr, and prayed to be fit for heaven. When news of Edith's death reached Britain, army recruitment doubled. After the war, Edith's body was returned to the UK by train and every station through which the coffin passed was crowded with mourners. Diana Souhami brings one of the Great War's finest heroes to life in this biography of a hardworking, courageous and independent woman.

As stubborn as she was gifted, as fierce as she was tender, and notorious for her mannish dress that was provocative and chic in equal measure, Gluck was an artist and a rebel. Born Hannah Gluckstein in 1895 into the family that founded the J. Lyons & Co. catering company, she had passionate affairs with society women such as Constance Spry and exhibited her portraits, flower paintings and landscapes in 'one man' shows that captivated the beau monde of the 1920s and 30s. But Gluck's success was never unmixed with controversy: at the height of her fame she stopped working, caught in a bitter campaign over the quality of artists' materials, and her personal life was rarely less than torrid. In Gluck Diana Souhami captures this paradoxical, talented and unusual woman in all her complexity.

Gertrude Stein and Alice Babette Toklas met on Sunday 8 September 1907, in Paris. From that day on they were together, until Gertrude's death on Saturday 27 July 1946. Everyone who was anyone went to their salons at the rue de Fleurus. They became a legendary couple, photographed by Stieglitz, Man Ray & Cecil Beaton, painted by Picasso and written about in the works of Hemingway, Paul Bowles and Sylvia Beach. "Gertrude and Alice", now with a new foreword, is the highly acclaimed story of their remarkable life together, of the paths that led them to each other, and of Alice's years of widowhood after Gertrude had died. From letters, memoirs and the published writings of Stein and Toklas and with rich illustrations, Whitbread Award-winner Diana Souhami brings their characters, beliefs and achievements vividly to life: 'so emphatically and uncompromisingly themselves, that the world could do nothing less than accept them as they were'.

I was winning when I met your gaze . . . So begins the confession of Gwendolen Harleth: dazzling beauty, wilful vivant and gambler of hearts: who bet her strength against her cruel husband, staked it all on the love of Daniel Deronda, and played her way back to a winning hand. With the profound insight of her acclaimed biographies, Diana Souhami fashions a real life for this most mercurial and magnetic of literary heroines, plotting Gwendolen's course in step with the drama of the age as a pioneer of women's aspirations in our own.